AAP KA SUROOR _The movie

Bollywood India

Call it a sequel to the chartbusting album Aap Ka Surroor - which rewrote history in music sales for a pop album in India. This soundtrack of Himesh Reshammiya’s debut movie is ubiquitous in all corners of the world. A brand in the making since the release of the music of ‘Aashiq Banaya Aapne’, the composer who has so far already essayed the role of a producer (TV Serials), composer and singer is back with a bang in business, with tunes targeted for the masses.
Messiah and Reshammiya were synonymous when producers of small budget movies saw rushes for their projects when the music caught on wildly with the masses. Promotional videos were being shot at brisk rate to secure box office success and the composer was featured in the videos, holding the mike in the cool-n-stylish manner. Termed as a hurricane in 2006, in terms of the never-seen-before storm created in the music charts since the arrival of the new millennium, Himesh Reshammiya’s name was on everyone’s lips and mind. Frenzy is an under-statement when his own music videos from his album were first aired. So much happened that acting was the next phase in his brand building. The awareness phase was over and proved to be the biggest hit of the brand building strategy. Charged with more energy, the team of Reshammiya-Sameer-Chadha are back to rock the world.

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CHEENI KUM

CHEENI KUM

In many good Bollywood films songs deepen our understanding of relationships. If the song element is clipped to the point where a Bollywood film resembles a Hollywood film, then there has to be more done to enhance the story-telling technique. The screenplay needs to be stronger and the editing – tighter. Illaiyaraja’s tuneful score has been used effectively but in a film of this duration, it could have played a more significant part in fleshing out the relationship between the leads.

Cheeni Kum is definitely a vehicle for Amitabh Bachchan and this where the emphasis of the film is wrong. It should be a vehicle for the relationship between the characters portrayed by Tabu and Amitabh Bachchan. Other actors should not exist merely to showcase the star; they should be there to contribute to the internal logic of the narrative. As it is, they retreat alarmingly into the background as the spotlight falls yet again, upon the legend whose histrionics are not supported by clear motives and meaning.

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MADHU MAKES SEX

Madhu makes her comeback with 'sex' in mind
Indo Asian News Service
Last Updated: May 31, 2007 03:34:04
New Delhi, May 31: At a time when filmmakers are focussing on family and social themes, debutant director Kallol Sen is quite candid that his Kabhi Socha Bhi Na Tha is 'about sex in the Indian mind'

The film stars Madhoo, of Roja fame, playing a lesbian and focuses on the unpredictability of modern day urban relationships and sex problems. Sen is quite sure audiences will accept his movie.
'I made the film more from the point of view of my own conviction. It is based on various experiences of people around me. I also did some research work on the subject but I have tried not to be judgemental about anything,' Sen told IANS over the phone from Mumbai.
'It's about the sex in the Indian mind. It talks about the problems one faces in relationships. Today people are more candid about their sex life,' added the director, who had earlier worked with Nimbus and ABCL but was never even 'associated with the creative department'.
Set in the backdrop of modern-day urban India, the film has a relatively unknown cast of Seema Mishra, Sandhya Shetty, Debu Bhatacharya, Vishal Vatwani and Rishi Khurrana.

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